Andreas Fischer Artist Page



An Archive of Touch, Summer 2019

**Solo Exhibition, coming January 2021

Andreas Fischer has a BFA from the School of the Art Institute of Chicago, an MFA in Studio Art and an MA in Art History from The University of Illinois at Chicago, and attended the Universität der Kunste, Berlin.  He has participated in solo and group exhibitions at Goldfinch, Chicago; Slow, Chicago; Boundary, Chicago; Andrew Rafacz Gallery, Chicago; Nathalie Karg Gallery, NYC; Devening Projects, Chicago; Hudson Franklin Gallery, New York; Hungryman Gallery, San Francisco; The Hyde Park Art Center, Chicago; Important Projects, Oakland; Kavi Gupta Gallery, Chicago; Lamontagne Gallery, Boston; The Mattress Factory, Pittsburgh; The Museum of Contemporary Art, Chicago and Regina Rex, Brooklyn. He is an Associate Professor of Painting and Drawing at Illinois State University.

Read an interview with Andreas Fischer about painting and touch in the comp magazine

Read a Q&A between Andreas Fischer and Caroline Picard in Bad at Sports

Read a review of Andreas’ Fischer’s exhibition “The Ghost in Your Shoe”

selected Works

For more information on available works, please email or call 708-714-0937.

You’ll love me someday, 2019. Oil, acrylic, and pencil on canvas, 18 x 16 in.


Maybe paintings and drawings are something like a bunch of little voodoo dolls. If representations are ways of structuring the world then to make versions of them and then mess with them can be a way of effecting the world. This all happens for me through touch – action, speed (or lack thereof), the acts of constructing, taking apart and re-constructing a material version of an image. When the kind of painting I do works for me it is really a process of searching for and building a home in images and trying to make a place in the world by doing this. We get to choose our images, we get to own them in some ways, we get to alter and repurpose them, and try to get comfortable with them in our real lives. All the while, the social entities that are supplying these things to us are doing it with their own motives and manipulations. Touching, owning, re- working, and re-inventing the given world is how I think of what a certain kind of hand making is all about. Hand making is a strong political gesture for me, even if it is just doodling on a handout during a meeting. It is a way of indexing real human desires and movements often in response to something that tends to push the real human aside. I have no idea how my work might function for others, but in my mind I am enacting these processes every time I work.  — Andreas Fischer, interview in The COMP magazine, June 11, 2016


Installation view, “An Archive of Touch” at Goldfinch, Summer 2019.

Self-portrait as her, 2019. Acrylic and pencil on canvas, 19 x 17 in.

Sitting with the small ghost of someone I had just known, 2019. Oil, acrylic, pencil, cut cloth on canvas, 20 x 24 in.

Answers, 2019. Acrylic and pencil on canvas, 20 x 16 in.