Sherwin Ovid

Elizabeth Lalley: Your new body of work in this exhibition breaks apart and reassembles imagery of domestic space (primarily bathrooms). Within the abstracted, collaged compositions are flashes of familiar (or somewhat familiar) features like pipes, faucets, and pieces of furniture, but they’ve been disoriented, fractured, turned on end, and we, in turn, could be viewing these spaces from head-on or from above or from below, all at once. We’re floating in these spaces, with no apparent ground, though in moments it appears as though objects in the space are floating,...