Press

 

Among Lively Things: A Review of Liz McCarthy at Goldfinch Gallery

REVIEW: Among Lively Things: A Review of Liz McCarthy’s “Unheeding,” Pia Singh, New City, February 17, 2021

•REVIEW: Doomscrolling With Cats: A Review of Andreas Fischer’s ‘And Apologies for Bringing this Up,’ Evan Bryson, Sixty Inches from Center, February 15, 2021

•REVIEW: “Em Kettner creates elaborate casings for her sacred sculptures,” S. Nicole Lane, Chicago Reader, November 18, 2020. 

•REVIEW: “Goldfinch Gallery Presents A mirror, a dish, a window curated by Elizabeth Lalley,” written by Amanda Joy Calobrisi, ADF Web Magazine

•”Our favorite thing for fall arts, part 2,” Kerry Reid, Lauren Iacoponi, and Ciera McKissick, Chicago Reader, October 8, 2020

• REVIEW: “A Projection Into ‘Paths Between Two Steps’ by Soo Shin”, Amanda Dee, Sixty Inches From Center, April 11, 2020

•“At the Hop: A Virtual Gallery Spotlight on Goldfinch,” Caroline Stearns, DeGroot Fine Art Blog, March 30, 2020

•”Virtual Exhibits You Can Tour During Shelter-In-Place,” Claire Voon, Chicago magazine, March 26, 2020

•”Anne Harris’ Distorted Self-Portraits,” Claire Voon, Chicago magazine, January 17, 2020

•”Go” listings – Best Things to Do In Chicago in September – Jordan Martins, Plant Strategies, Chicago Magazine (print edition), September 2019

•Art Leader of the Moment: Jordan Martins, Executive Director of Comfort Station, New City, August 28th, 2019

•REVIEW: Processing “An Archive of Touch at Goldfinch Gallery” by Amanda Dee, Sixty Inches from Center, July 15, 2019

•Investigation Through Reduction: A Review of Carris Adams and Kate Conlon, Cody Tumblin, New City, June 6, 2019

•Seeing Signs: An Interview with Carris Adams –  by Tara Betts, Sixty Inches from Center, May 11, 2019

•2019 Breakout Artists: Chicago’s Next Generation of Image Makers – Chanel Chiffon Thomas, by Kerry Cardoza, New City, April 24, 2019

•2019 Breakout Artists: Chicago’s Next Generation of Image Makers – Cathy Hsiao, by S. Nicole Lane, New City, April 24, 2019

•”Carris Adams: Who Made That?” by Claire Voon, Chicago Magazine, May 2019 (print magazine)
• REVIEW: “Faded Beauty: A Review of Meghan Borah at Goldfinch,” New City, April 15, 2019, by Chris Miller.

•“Mari Eastman: In Situ” listed in Newcity’s “Top 5 of Everything 2017” Year-End List for Art Exhibitions.